With an approach situated somewhere between the hyper-synthesized and the near-documentary, Dorothea Sing Zhang’s filmmaking taps into the curiosity of practical surrealism. She obtained her Bachelor’s degree from the Slade School of Fine Art at University College London, and pursued further film studies in Denmark at the École de Leth, where she studied under Lars von Trier, Jørgen Leth, and Thomas Vinterberg.
In 2024, she wrote and directed Masterpiece Mommy (2024), a short musical film starring Leah Dou that premiered in competition at the 49th Toronto International Film Festival, received a European Film Award nomination at Dokufest, and is now shortlisted for the 2026 European Film Awards. Her follow-up short, A Small Fiction of my Mother in Beijing (2025), premiered in competition at the 50th Toronto International Film Festival. Her latest short, As a Cure (2026), will premiere at Locarno Film Festival this August.
Dorothea is now in development for her feature film, Anxious to Please.
Filmography
2025 A Small Fiction Of My Mother in Beijing
2024 Masterpiece Mommy
Director and screenwriter. Author of short films presented and awarded in Poland and international as well as public awareness campaigns and commercials. Michal studied directing at the Polish National Film School in Lodz. His student short fiction „A Dead Marriage” received many awards at Polish film festivals – such as Silver Hobby Horse at Cracow Film Festival, Grand Prix of the Short Film Competition at WAMA Festival in Olsztyn and several other prizes and honorable mentions on festivals like „Two Riversides” in Kazimierz Dolny, „The Youth and Film” in Koszalin and many more. The film was also shown at the international festivals, e.g. in Leuven and Tirana.
Michal gained experience by working as the 2nd director on set of „My Wonderful Life” a film by Lukasz Grzegorzek and „Elephant” by Kamil Krawczycki. His documentary debut „Strawberry boys” was presented on festivals in Poland and international, was awarded with Best Editing Award at Cracow Film Festival and an honourable mention at Lubuskie Film Summer in Lagow. In 2021 he received a Best Directing Award with Ola Hulboj for their film in Branded Stories Papaya Young Directors Competition. Michal developed his storytelling skills by working as a reporter for Gazeta Wyborcza during his studies. What he appreciates in Cinema the most is a sensitive approach towards the characters of the movie and witty humour. He considers Ken Loach and Mike Leigh his masters in directing.
Niki Lindroth von Bahr, born 1984 in Stockholm, is an artist and filmmaker focused on stop motion animation. Niki’s films have been awarded at festivals worldwide, such as Cannes, Berlinale, Toronto and Sundance. Since its premiere in 2017, The Burden has received 85 awards, including Cristal for Best Short Film in Annecy, Best International Short Film in Toronto and Guldbaggen for Best Short Film 2018. In 2026 The Burden was on the list of the Best 100 short films ever made, put together by 250 European film critics. Niki is a member of The Oscar Academy. Parallel to her film and art projects, she has designed and made costumes for artists like Fever Ray and David Bowie. She also directed one chapter of the animated anthology The House (2022) for Netflix.
FILMOGRAPHY
2017 The Burden / Min börda, animated short
2014 Bath House / Simhall, animated short
2010 Tord and Tord / Tord och Tord, animated short
2007 One Night in Moscow / En natt i Moskva, animated short[/vc_column_text][/vc_column][/vc_row]
Luís Hindman is a BAFTA-Nominated and BIFA-winning writer/director of South Asian and Northern Irish descent. His early short films were first recognized in 2015 when he received the ‘One to Watch’ award from Into Film, sponsored by the BFI and EON Productions. The jury included Alan Parker, David Yates, and Peter Kosminsky. In the following years, Luís primarily worked as a director on music videos, most notably directing the UKMVA-nominated ‘Permanent Damage’ project for soul-pop artist Joesef. He returned to narrative filmmaking with Magid / Zafar (2025), supported by the BFI and FILM4, a recipient of the inaugural Future Takes scheme. The film premiered in competition at the 2025 BFI London Film Festival and was subsequently awarded the BIFA for Best British Short. He is in development on his debut feature film with BFI and FILM4.
Together with Katarzyna Rodak, Jan wrote the screenplay for the comedy The Circle of Women, which in 2021 received a PISF development grant and a Script Wars distinction. In the same year, also in collaboration with Katarzyna Rodak, he created the script for the short film The Circle (22 min), which he directed. The rights to the film were acquired by Canal+ Polska and Ale Kino+.
The film premiered in the Polish Competition at the Krakow Film Festival in 2022. It was also screened at numerous festivals, including Młodzi i Film in Koszalin, the Polish Film Festival in Gdynia, the Film, Music and Painting Festival “Summer with the Muses”, and the Camera Action Festival.
Yassmina Karajah is a Jordanian-Palestinian screenwriter and director whose work has screened at major international festivals including the Toronto International Film Festival , AFI Fest, Melbourne International Film Festival , and New Directors/New Films at MoMA. Her short film Rupture (2018) was named to TIFF’s Canada’s Top Ten, acquired by The Criterion Channel, and awarded the Grand Jury Prize at Slamdance, where she became the first recipient of the Russo Brothers Fellowship. Her latest short, Ambush (2025), premiered at TIFF and will compete in the Wide Angle Asian Short Film Competition at the Busan International Film Festival.She holds an LL.B from the University of Bristol, a BFA in Film Production from the University of British Columbia, and is a graduate of the Canadian Film Centre’s Directors’ Lab. She is currently developing her debut feature, set in Amman, Jordan.
Charles grew up in a country town in northern Victoria, far from anything connected to filmmaking, except for an obsession with movies.
Though his household was largely dependent on government assistance, he found a way to make films with equipment ‘borrowed’ from the local school and, while still in his teens, won the Best Director award at Tropfest Film Festival.
Over the past decade his acclaimed films have screened and won awards at some of the world’s most prestigious film festivals including Cannes, Clermont-Ferrand, Toronto, SXSW, Telluride, Toronto, MIFF, Busan and the Australian Academy Awards.
His latest short film ALL THESE CREATURES was awarded the Palme d’Or at tthe 2018 Cannes Film Festival among more than 20 other international awards. He is currently developing feature projects THE BUZZARD and INSIDE.